Gargoilism

Gargoilism: from fantastic figures to a cultural phenomenon

Gargoilism is a term that comes from the French word "gargouille", which describes the drainpipe of medieval cathedrals as a fantastic figure with a repulsive, bizarre face. Gargoilism became widely known thanks to these figures, which decorated medieval cathedrals and castles. They were created for functional purposes to drain water away from the roof, but also had an aesthetic value.

Today, Gargoilism has become a cultural phenomenon that relates to art and architecture. Gargoyles are often used as decoration on buildings, as symbols of antiquity and mysticism. They can also be used as interior items, as part of the decor in the home or outdoors.

Gargoilism has a long history that begins with medieval cathedrals and castles. At that time, gargoyles were created using stone or clay, and their shapes were inspired by mythological creatures. They were used to drain water away from the roof to prevent buildings from collapsing. Some Gargoyles were created in the form of beasts, while others were created in the form of human beings.

Since then, gargoyles have become popular throughout the world, and there are many different variations in shape and style. They are used both on modern buildings and on buildings dating back to the Middle Ages. Gargoyles can be made from different materials such as stone, metal, glass, as well as various composite materials, allowing you to create a variety of shapes and designs.

Gargoilism has become an integral part of culture and art and continues to attract the attention of people from all over the world. It serves not only as a decoration for buildings, but also as a symbol of mythology, history and modern culture. Gargoyles continue to inspire many artists, architects and designers, and will remain an important element of our culture and art for many years to come.

The topic of attitude towards personality is extremely rare in the literature. Its elements can only be identified in borderline states: crises, catastrophes and, especially, in particularly extreme, marginal cases, where it finds a way out no longer within the framework of common sense, but beyond it.

Gargoilism engulfs a person whose internal state is unable to meet two groups of requirements: the physiological norm and the mandatory criteria for “correct” human behavior. Therefore, he is able to serve either as an ideal of kindness, or to embody all possible and impossible vices.

Considering this phenomenon in relation to literary examples, we can conclude that